Writing, talks, podcasts, press. A mix of homebrew and on-the-record, honest thinking about creativity, technology, and what's actually happening right now. No fixed cadence, no algorithm chasing. Just the stuff worth tuning in to.
One prompt. The model decided. Twenty-seven agents, 1.7 million tokens, one hour of continuous work, and a real two-player fighter at the end of it. I sat and watched.
Fifteen minutes with Boris Cherny, the engineer who built Claude Code. Plan mode, CLAUDE.md, subagents, hooks, worktrees, the actual stack he runs daily. Watch it once, send it to your team.
Three scenes I shot on my phone. Six transformations in Flow. The headline isn't the pixels.. it's the precision and control. Editing the world inside a clip without losing the shot.
One chat, every tool. Maya picked the voice. Seedance picked the video. The orchestrator picked the path. I observed. Then I gave the same brief to Jony and the gap showed up.
A hundred announcements. 3.2 quadrillion tokens a month. 2.5 billion people inside AI Overviews. One week on from I/O, the headline isn't a model. The model is the demo. The surface is the moat.
Phase one, the bridge was people. Phase two, the bridge was the agent. Phase three, no bridge at all. Closer to Jarvis than to Slack. We're in it. Some of us are living it. Some of us are not.
An emerging thesis I've been chewing on for months. Five years of M-series silicon optimised for AI inference, in plain sight. Cook → Ternus is the data point that confirms the hardware bet is the strategy.
A piece I've been carrying for fifteen years. AI didn't replace us. It revealed us. And the creative class is everyone who's had it talked out of them along the way.
Starlink has quietly replaced its customer support hotline with Grok's new VoiceFast 1.0. I called in. The whole conversation is recorded. Here's what happened.
SaaS sold us seats. Agents don't need them. Most of my agentic work happens with no interface at all... and the few times I do need one, it shows up in exactly the shape the moment requires, then dissolves.
A proper, considered review from someone who spent fourteen years trying to build the version of this that came before it. The biggest move in creative software in years.. and yes, I have skin in this game.
Ten prompts. Two models. Same conditions, both via the official API. I stress-tested GPT Image 2 against Nano Banana Pro across text, typography, physics, skin, IP and taste. Drag the sliders and see if you agree with me.
Everyone I talk to falls into two camps. The ones terrified AI will replace them, and the ones quietly using it to do the best work of their lives.
A long-form conversation with Mark Cuban on creativity, entrepreneurship, and how to make better decisions when everyone around you is certain.
The closing scene of a five-day company offsite. On stage in front of 350 Ceros people, announcing a $100k donation to The Creative Ladder. Then calling Ryan Reynolds live on the line, who promptly roasts me in front of everyone.
The second edition of our annual Ceros event. A celebration of creative work, conversations with the people making it, and a handful of product launches along the way.
The first Ceros Power of Creativity event. A full day of talks, stories and product announcements, all built around one question: why does creativity still matter, and what does it look like when we take it seriously?
There's no roadmap. No business plan. There's a feeling. A conviction that something needs to exist. Here's my actual process.
The speed is real. The overwhelm is optional. Most people react. A few stay curious. And it's a practice worth protecting.
An original strategy document written in April 2025 on the tectonic shift underway in creative tools. Published here unedited in substance.. a year before the major AI labs shipped the specifics I'd described.
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